• Skip to content

Menu 1

  • Showcase
  • Commissions
  • Exhibitions
  • Moving Image
  • Current
  • News
  • Publications
  • Media
  • CV/Bio
  • Contact
  • Back
  • Pascoe Vale School Gates
  • CSL Seqirus
  • Metro Tunnel – Siding Reserve
  • Billilla Mansion Project
  • Sovereign Seconds – City Square
  • Monash University IT Faculty
  • Unvanished – Federation Square
  • UTS Broadway Screen
  • Garrong Park Mural
  • Boronia Mural
  • University of Technology
  • Moreland Train Station
  • Never Alone
  • Brimbank Aquatic Centre
  • Glenroy Community Hub
  • Liberty
  • Australian Unity
  • Melbourne Art Tram
  • MVCC Billboards
  • Back
  • karta kartaka (pink cockatoo)
  • Question the Space
  • ngartatya (together)
  • Sovereign Seconds
  • Unvanished – Adelaide Festival
  • Take Hold of the Clouds
  • Tarnanthi 2021
  • Wilam Biik
  • Tree Story
  • Uptown
  • Barkindji Blue Sky
  • Unvanished, Tarnanthi
  • Sovereignty, ACCA
  • Unvanished, Melbourne
  • Unvanished, Virginia US
  • Unvanished, Horsham
  • Celebrating Culture
  • Tell
  • Reframed
  • Cultural Reflections – Up Above
  • Back
  • karta kartaka (pink cockatoo) #7
  • Barkindji Blue Sky – Ancestral Connections #10
  • Waa and Wattle
  • Cultural Reflections – Continuous Connections

KENT MORRIS - Australian Indigenous Artist

Menu 1

  • Showcase
  • Commissions
    • Pascoe Vale School Gates
    • CSL Seqirus
    • Metro Tunnel – Siding Reserve
    • Billilla Mansion Project
    • Sovereign Seconds – City Square
    • Monash University IT Faculty
    • Unvanished – Federation Square
    • UTS Broadway Screen
    • Garrong Park Mural
    • Boronia Mural
    • University of Technology
    • Moreland Train Station
    • Never Alone
    • Brimbank Aquatic Centre
    • Glenroy Community Hub
    • Liberty
    • Australian Unity
    • Melbourne Art Tram
    • MVCC Billboards
  • Exhibitions
    • karta kartaka (pink cockatoo)
    • Question the Space
    • ngartatya (together)
    • Sovereign Seconds
    • Unvanished – Adelaide Festival
    • Take Hold of the Clouds
    • Tarnanthi 2021
    • Wilam Biik
    • Tree Story
    • Uptown
    • Barkindji Blue Sky
    • Unvanished, Tarnanthi
    • Sovereignty, ACCA
    • Unvanished, Melbourne
    • Unvanished, Virginia US
    • Unvanished, Horsham
    • Celebrating Culture
    • Tell
    • Reframed
    • Cultural Reflections – Up Above
  • Moving Image
    • karta kartaka (pink cockatoo) #7
    • Barkindji Blue Sky – Ancestral Connections #10
    • Waa and Wattle
    • Cultural Reflections – Continuous Connections
  • Current
  • News
  • Publications
  • Media
  • CV/Bio
  • Contact

Current

Sovereign Seconds – City Square, Melbourne –  June to September 2023

https://bigbuild.vic.gov.au/projects/metro-tunnel/community/art/creative-program/town-hall/kent-morris-sovereign-seconds

About the artwork

‘Moments of transformation reinforcing ancestry, sovereignty and the undeniable wisdom and knowledge of millennia. Country reshaped and reconfigured to make visible a deep time sovereign system of interconnectedness and interdependence. These patterns speak of infinity through a First Nations’ lens and construct a sovereign space to counter the ongoing impacts of colonisation.

Photographic images are transformed from the single-point perspective of the camera’s eye to an immersive, kaleidoscopic network of patterns reflecting First Nations cultural knowledge systems. This process decentres the focus on the individual subject and reinforces community and cultural connection to Country, to a philosophy that has always been here and will always be here.’

ngaratya (together, us group, all in it together) – Bunjil Place Gallery – 14.05.2023 – 03.09 2023

ngaratya (together, us group, all in it together) brings together six Barkandji/Barkindji artists; Nici Cumpston, Zena Cumpston, David Doyle, Kent Morris, Adrianne Semmens, and Raymond Zada. 

Several trips together on Country provided a rich foundation for the collective to create newly commissioned works that explore and illuminate their Ancestral connection and homelands. The artists spent time travelling together, engaging with cultural landscapes, their Elders, community, and each other, resulting in an immersive installation that comes collectively from their hearts. Featuring soundscape, moving image, screendance, carving, weaving, printmaking, and photography, ngaratya offers a warm invitation into Barkandji/Barkindji Country and belonging.

ngaratya (together, us group, all in it together) is a Bunjil Place Gallery exhibition toured by NETS Victoria. Curated by Nici Cumpston and Zena Cumpston.

https://www.bunjilplace.com.au/events/ngaratya-together-us-group-all-it-together

Bunjil Place Gallery

2 Patrick Northeast Drive
Narre Warren, Victoria, 3805

Dates: Sun 14 May 2023 – Sun 3 Sep 2023
Hours: 10.00 am – 4.00 pm (Tuesday – Sunday)

Melbourne Now – The Ian Potter Centre: NGV Australia, Fed Square – 24.03.2023–20.08 2023

https://www.ngv.vic.gov.au/melbourne-now/artists/kent-morris/

Sovereign Seconds – Vivien Anderson Gallery – 5.10.2022 – 29.10.2022

https://vivienandersongallery.com/exhibition/kent-morris-sovereign-seconds/

SOVEREIGN SECONDS considers moments of transformation, of a kaleidoscope of patterns reinforcing ancestry, sovereignty and the undeniable wisdom and knowledge of millennia.”

— KENT MORRIS

Barkindji artist Kent Morris’ epic photographic works have always reminded me of a kaleidoscope, a device of mirrors and glass to look into and through, to a place of beauty. We can thereby be transported into the device of mirror and light, transported into another space; a within from which we can look out – perhaps a space where we can return home to take control of our Country. ”

— CLAIRE G COLEMAN

Unvanished – (St Kilda) Rainbow Lorikeet #2 – St Kilda Foreshore Vaults

Visit this work from 30th July at any time. Approach via The Esplanade, St Kilda

https://www.takeholdoftheclouds.com/projects/kentmorris

The following text has been commissioned to reflect upon and respond to Kent Morris, Unvanished – (St Kilda) Rainbow Lorikeet #2 at St Kilda Foreshore Vaults. The text is intended as a form of experimental wayfinding when engaging with the work.

Timmah Ball
A flight of bright birds arise from the concrete

If you drive along the Esplanade or Jacka Boulevard they are almost invisible, easy enough to pass. It is only the painted, wood-panelled door with two padlocks that suggests another world existed here. Slow down, wind your window or better still find parking along the Boulevard and look closer.

A row of identically shaped arches is all that remains of the St Kilda foreshore vaults, which quietly blend into the infrastructure like they were never there. The vaults housed a group of 10 shops built in the 1890s, frequented by both tourists and locals who flocked to the foreshore at the time. After the shops’ removal in the 1950s, the area was bricked over in the 1970s to facilitate road widening, which took precedence. In some ways, their disappearance reflects how the desire for something ‘new’ or the need to go ‘faster’ will always eclipse pre-existing uses in the settler-cities’ logic.

But their vacancy also offers time to think and space to park your car along the widened road. There is no need to rush. There is something else to see.

There is a group of rainbow lorikeets emerging from the disused vaults. Their presence unravels even more layers of the built environment, revealing much more than the quaint seaside shops that were once here – if we look and listen closely. The lorikeets transform from black and white to full colour as they dance against the grain, unlimited by the city’s imprint. They embody the resilience, agility and survivance of First Nation peoples, flora and fauna which adapted and thrived. Unlike the shops that disappeared behind the disused vaults, bricked over and painted a bluish grey, the lorikeets remained. They hid amongst city streets or in plain sight in the city’s sky even as so many other western architectures vanished, in the settler cities’ short history. Because what was always here is never lost even as environments shift. See beyond the built form that you live in. Look closer, watch the birds fly over you as you walk back to your car. Follow their direction instead of the widened road.

Stop; observe the past and see the future

Open the door to find another view; someone else lived here before you.

Listen to the songbirds and parrots that originated here 53 million years ago. They still remain even as another luxury apartment building materialises and alters the settler city again.

Unvanished – Federation Square

“We are here, we have always been here, but too often we and our stories are unseen and unknown. We have not vanished.” – Kent Morris.

Marking the beginning of Reconciliation Week, the new sculpture, Unvanished, by Barkindji artist Kent Morris and Studio John Fish will be unveiled at Fed Square and will be available for the public to view 24 hours a day from 7pm on 27 May until midnight 5 June 2022

Featuring a bespoke sonic composition by James Henry, dynamic light design, and augmented reality (AR) overlayed technology by creative technology company PHORIA, the powerful artwork will stand as a reminder of the strength and resilience of First Nations people, knowledges and culture – and their ongoing connection to the land, water and sky.

The AR filter will allow you to use your devices to explore the artwork in digital ways.

https://fedsquare.com/events/unvanished

Peel Street Projection Park

Waa and Wattle will be exhibited after dark in Peel Street Park from Tuesday 15 March to Thursday 28 April, 2022.

https://arts.yarracity.vic.gov.au/whats-on/2022/03/15/waa-and-wattle-by-kent-morris

Wilam Biik

Tarrawarra Museum of Art

In the Woiwurrung language of the Wurundjeri people, Wilam Biik means Home Country. How do we see Country? How do we listen to Country? How do we connect to Country? Wilam Biik is the Soil, the Land, the Water, the Air, the Sky and the Animals that reside within. It is the only home we know, and we honour it for its sacred exchange. A home where Custodial rights and responsibilities never left. An exhibition of cultural consciousness and knowledge, of an unsevered connection between First Peoples of South East Australia and their Country, over thousands of generations.

Tree Story

6 February – 10 April 2021
Monash University Museum of Art

Tree Story brings together creative practices from around the world to create a ‘forest’ of ideas relating to critical environmental and sustainability issues. At its foundation—or roots—are Indigenous ways of knowing and a recognition of trees as our ancestors and family. An exhibition, publication and podcast series, Tree Story takes inspiration from the underground networks, information sharing and mutual support understood to exist within tree communities, and poses the question: what can we learn from trees and the importance of Country?

Never Alone

3 – 30 August 2020
Australian Centre for Contemporary Art (ACCA) – Who’s Afraid of Public Space?
Digital billboard at the intersection of Fitzroy Street, Canterbury Road and Grey Street, St Kilda,

Never Alone, is a new digital work developed during isolation that focuses on the First Nations cultural concept of the interconnectedness of all things:- people, plants, animals, landforms and celestial bodies. One is never alone on Country and First Nations philosophies and systems encompass the value of all life and the accumulated history of place. During the COVID-19 period, there has been a reframing of how we collectively perceive time. We have a remembered past, an anxious present and an uncertain future. Never Alone encourages a reflective response to our current state of existence and suggests the incorporation of Indigenous philosophies, knowledges and relationships to navigate a connected pathway forward.

 

 

 

 

 

Follow us on Instagram

© 2025 Site by CharcoalMINIMAL

x